Work.

An AI vehicle management app, taken from nothing to a shipped product. I own the brand, the campaigns, and the go-to-market, and every asset below is work I made.

A full identity system for the second Gearbox product, plus a campaign that takes a live right-to-repair fight in Congress and turns it into a business argument a shop owner can act on.

Four years of running a chapter's brand, website, social, and merchandise. The least glamorous work here and the one where the numbers are hardest to argue with.

A blues festival built on the ground where the music actually played. One peacock motif carries the whole thing, from the wordmark to the stage roof to the site plan.

A structure woven through the Appalachian forest that makes an extinction visible. Its form is borrowed from the fungi that outlived the American chestnut, and it builds new habitat while it does the remembering.

A wind-rose reading of Freshkills Park turned into a radial field device that captures shifting wind vectors while sheltering migratory habitat.

The study that set the graphic language for everything after it. A tectonic exercise in Rhino, testing how form changes what a material appears to be.

A built outdoor room for retreat. CNC-milled perforated plywood held in tensioned cord, dry and reversible, reassembled on site in an afternoon.

Drawing becomes space-making. Iterative geometries after El Lissitzky's Prouns, collapsed into one framework of overlapping grids.

The earliest work here. Grid spacing, panel density, and directional layering held constant while openness is allowed to drift between public and private.

Points in the city where data, geometry, and spatial logic converge, read as thresholds and then built as a piece of civic furniture.